Eco-Choice Awards for Spring 2014
Most Sensitive Use of Materials
Winner: Clothing and Accessories From Shupaca
San Diego, CA
www.shupaca.com
Lori Perri says that alpaca fleece makes the perfect eco-conscious textile. “The alpaca produces a pollution-free fiber that is hypo-allergenic and free of lanonin,” Perri says. The San Diego-based Shupaca company wholesales textiles that are loomed using traditional weaving methods that date back thousands of years from Inca times. “Our goal is to provide quality handcrafted products, fusing ancient tradition with contemporary style,”’ Perri adds. Shupaca works directly with indigenous families to support the economic advancement for the people in small communities. “We help to maintain Incan traditions and keep the talents and skills of these artisans alive for generations to come,” Perri says, adding that the company was thrilled to be recognized for their “green” initiatives and for its commitment to social responsibility.
Notables
Samuel Cufflinks in Monaco Blue from MUJUS (Brooklyn, NY)
www.mujus.com
Tagua seeds, which originate from palm trees in the Amazon rainforest, are used to make these cufflinks and other jewelry at MUJUS. The vibrant colors come from all-natural dyes, says founder, Paola Delgado. “Designers are becoming more innovative and now realize that many natural materials look as good or better than traditional options,” Delgado says. “Customers love the story behind the designs and it helps them feel connected to each piece. In both a personal and business sense, green operating practices are a satisfying ethos.”
Swan Candelabra from 2b design home LLC (Cambridge, MA)
www.2bdesign.biz
Raja Moubarak co-founder of 2b design home says that the swan candelabra traces its origins to a salvage yard in Cairo, Egypt, where the team spotted a beautiful hand-forged gate dating back to the early 1900s. After assessing different options we decided with our team to create the Swan candelabra and matching mirrors,” Moubarak says. The majority of the company’s products are made out of architectural elements salvaged from conflict and post-conflict zones. “Not reusing these elements could mean complete disappearance of a beautiful heritage,” Moubarak points out.